Arriving on the heels of big sister Brandy, R&B vocalist and songwriter Ray J parlayed his success on television into a music career at the age of 14. With his smooth vocals and youthful take on R&B, he issued debut Everything You Want in 1997. As he grew, his production and lyrics also matured, following a stylistic trajectory similar to Usher. In 2008, he hit a chart peak with fourth effort, All I Feel, which topped the Billboard Independent and R&B charts. After an extended decade-long hiatus, he returned with 2019’s Raydemption.
Born William Ray Norwood, Jr. in McComb, Mississippi, he moved with his family to Carson, California when he was a toddler, landing him in the center of the entertainment industry. He started auditioning for commercials at age eight and had scored several gigs when he caught the eye of comedian Sinbad, who was casting children for The Sinbad Show. Ray J got the role of Sinbad‘s foster son, but the show was canceled in 1993. From there, Ray J began acting in movies and appeared in the films Steel and Mars Attacks! with minor roles.
At the same time, he was also itching to try his hand in the music industry, inspired by Brandy‘s early success. He signed with Elektra in 1995, recording Everything You Want the following year with a set of superstar songwriters and producers behind him. In 1997, he performed in a television special with his sister, but despite the mainstream attention, he was dropped by Elektra soon afterward. His easygoing image and boyish looks appealed to the producers of Brandy‘s television show, Moesha, scoring him a role on the popular UPN series starting in 1999. He also started producing and put together the music for several commercials and demos for his second album.
When he stepped back into the studio he called on the Neptunes, Rodney Jerkins, Brycyn “Juvie” Evans, and several other hitmaking producers to help him compile This Ain’t a Game (2001), a pop-oriented album. The album dropped in 2001, but despite a strong promotional push from new label Atlantic, it wasn’t the breakthrough success it was designed to be. It would be four years before he returned to music, but despite the lengthy absence, his high profile still commanded an all-star guest list. With help from Timbaland, R. Kelly, Mya, and Fat Joe, Ray J resurfaced with Raydiation (2005), released on Sanctuary. He changed labels again for All I Feel (2008), issued through Koch. The album was a success thanks in no small part to the double-platinum single “Sexy Can I,” topping the U.S. indie and R&B charts and rising into the Billboard top ten.
In the decade that followed, Ray J was known more for tabloid headlines and reality television. The singer landed his own dating series on VH1 titled For the Love of Ray J, which spawned a soundtrack album that same year (2009). A second VH1 series, Brandy & Ray J: A Family Business, lasted two seasons, and he went on to host Oxygen’s Bad Girls All-Star Battle. He made moves toward a fifth proper solo album, including the pointed “I Hit It First” — which peaked at number 11 on Billboard’s R&B/Hip-Hop chart in 2013 — and 2015’s “Brown Sugar,” which featured Lil Wayne. However, that long-dormant album would not arrive until 2019, over a decade after All I Feel. After releasing a stream of singles in the late 2010s, his comeback efforts were ramped up with the release of “Rich N Whippin” with Soulja Boy and “Hallelujah” with cousin Snoop Dogg, which was featured on his visual project Raydemption. ~ Bradley Torreano, Rovi
began his winding career with Death Row Records and rose to momentary fame alongside Dr. Dre and Snoop Dogg, but struggled to establish himself as a successful solo artist. Born Ricardo Brown in Philadelphia on November 23, 1972, he moved to Hawthorne, CA, where he befriended Snoop and joined the roster of Death Row. He debuted on Dr. Dre‘s The Chronic (1992) and continued to contribute guest appearances to successive Death Row releases, most notably Snoop‘s Doggystyle (1993). He ultimately debuted as one-half of Tha Dogg Pound, a partnership with rapper/producer Daz Dillinger spun off from Snoop‘s enormous success at that time. Together with Daz and Snoop, Kurupt enjoyed sizable success with Dogg Food (1995) and its hit singles: “Let’s Play House” and “New York, New York.” Three years later the then-A&M-affiliated Antra Records released Kuruption! (1998), the rapper’s ambitious double-disc solo debut. The album met modest success but didn’t make much of a commercial impact, nor did its tighter, more traditional follow-up, Tha Streetz Is a Mutha (1999). Kurupt’s next release, Space Boogie: Smoke Oddessey (2001), aimed for crossover success, incorporating pop-rap elements as well as unlikely big-name guests like Fred Durst and Everlast, but again made little impact beyond the rapper’s following. Meanwhile, Kurupt teamed with Daz for another Dogg Pound album, Dillinger & Young Gotti (2001), which presented a much more underground sound, released independently by D.P.G. Recordz. Meanwhile, Death Row released 2002 (2001), a collection of leftovers from Tha Dogg Pound‘s mid-’90s era. In the wake of these many releases and little accompanying commercial success, Kurupt returned to the long-quiet Death Row label in 2002 and helped Suge Knight revive the infamous label. Against tha Grain, released in 2004, was the first fruits of the relationship. ~ Jason Birchmeier, Rovi